Peculiarities of the landscape poetry of I.A. Bunina. Analysis of the verse "Dogorіv kіtnevyi svіtliy vechіr". Lyrica Bunina: the main ones and motives.

Svіy creative way, the Maybutny Nobel Prize laureate Ivan Oleksiyovich Bunin, who is often in his early childhood. If the unaccompanied ice passed 17 years, the magazine "Batkivshchyna" was published at the same time as the versh of the young poet - "Silsky Zabrak". He sings about the life of the wicked Russian forces, the inhabitants of which often suffered from the consumer and the beast.

Ivan Oleksiyovych spent a lot of an hour reading the literature of foreign and ancient writers, the creativity of which the young poet became numb, shukak vasnogo style in the whole craft. The poetry of Nekrasov, Koltsov and Nikitin befriended Yomu shaleno. Among the creativity of these authors, the peasantry was poeticized, which was even closer in spirit to Bunin.

Already in the first creative robots of the great writer and poet, an original manner was discerned, a unique style of writing and intriguing by those who receive the reader. The yogo lyricism of the Bula is rosy and calm, due to the spiritual rosy of loved ones. The verses of Ivan Oleksiyovych saw the richness and subtle inner light of a young writer.

Critics were overwhelmed by the artistry and high technique, to be inspired by the lyrical works of Bunin. He sings the word in leather and beautifully conveys his thought, the fragment of poetry that is poetic to the art is clearly visible.

The main lyrical motives of Ivan Oleksiyovich Bunin

The train of Ivan Oleksiyovych cannot boast of a special versatility. A little bit of poetry is not required. Most of these issues are related to nature. Deyaki create to become attached to the village life and civil motives. Great mіsce bulo was introduced by those love and vzaimin.

On a provincial mіsci, you can clearly see the landscape lyrics, written in soft and low tones. Sings dearly lovingly the Oryol Territory, in the buv of the flooding of the young trees of natural nature, to that in the bagatokh of the Bunin in the presence of smooth descriptions of the miraculous miracles.

Bunin clearly recognizes the tradition of the Russian classics, so it is possible to remember the bright and vivid vershi "Autumn Landscape":

Autumn has come,
I will hear only,
Falling quietly leafing
Smooth the earth to the sir.

Autumn has come to know -
Blidikh came in gray,
A blank quote
The dream of a stingy to ask ...

Wind with a deaf flute
At gilkakh sound dejected,
Dosch partakes here,
Having finished, the yak sieve blew.

The people of bagatta will burn
Leaves, zgrіbayuchi in the buy,
And viter naganya
The sky is thick with gloom ...

The dream has broken through,
I know my soul,
Nibi navi got through -
Summarize the nature of the rumor ...

And at the verse "Highly povny mіsyats' worth" sings harmoniously conveying the sparing and virility that was loved by those:

In the skies above the misty land
We light the bows with a light,
Feel like a smile.

At bily imli, in wide meadows,
On empty river banks
Tilki black withered will outline
So the top of the willow rozgledish.
The first rychka can be seen on the banks of Trokha ...
Here mlin make a dull noise ...
Sleep the village ... Nich is quiet and blida,

If you read the miraculous sound, you will hear a special motive, and the TV itself will sound like a spokiyna and a melody will be heard. Such masterpieces, they annoy the reader's testimony with real nature, and see the nobility's views and shalena's joy of the boot ...

The virshi "Vidliga" has a special strength of inner wisdom, conveying the unpretentious harmony of the great poet with the beautiful nature of the new world.

Ivana Oleksiyovycha was always familiar with the landscape and the transition from one staticity to the insha. Win minds to catch on to some of these changes and clearly convey them in his lyrical journey.

Love before nature was carefully intertwined with the lower senses and the great power to his father. Bunin, writing a little bit of verses on patriotic ones, inspired by the lyrical insights into Russian nature.

Remaining the fate of life, the great Russian writer and sings Ivan Oleksiyovich Bunin provin at France. The tightness beyond the native land was clearly visible in the yogo verses, written far from the Batkivshchyna.

He sings, writing in іnshі by those, however, such creatures of the trochs, ale and the stench hides the reader with his own unprecedented plot line. Duzhe tsіkava poezіya, based on religious transfers, myths and ancient legends.

A bunch of golden marmor columns,
The valley is green,
Lyvan in the snow and the blue sky grabbed.

I am bachiv Nil and Sfinksa-veletnya,
I am bachiv pіramіdi: you are stronger,
Beautiful, antediluvian ruina!

There they shaved the red-pebbled stones,
Forgotten graves in the ocean
Golikh piskiv. Here is the joy of youthful days.

Patriarchal-regal fabrics -
Snow and skel of later rows -
To lie like a stringy thales on Livania.

Look, bows, green gardens
I licorice, yak girska cold,
The noise of shvidkoy malachite water.

Next to it is the parking lot of the first nomad.
First of all, zabuttya and empty:
Light a colony with an immortal sun.
The blessed light leads the gate.

Philosophical lyric of the great Russian poet

The main creative and individualism of Ivan Oleksiyovich Bunin is his versatility; Vin buv to the right with prose and miraculous shifting. Yogo pratsі genіalnі and grandіznі, the very glorification of realists know the scale of popularity among all sorts of people!

Yak Russian writer zmіg so maneuverable to opanuvati with the form of a classic verse? Bagato fakhivtsiv vvazhayut, scho ts reaching the boules know, the founders of professionalism in the robot by shifting. Vinyatkov's mastery of the great writer is grounded on the divine joke of only one young word, I will make the classic Rome with a big snake. Yogo vіrshi llyuchitsya yak beautiful song, reminiscent of lives and honest emotions.

Yogo's prose writers clearly hear a pesimistic tradition. Bunin buv strongly drowned in the philosophical creativity of Fyodor Ivanovich Tyutchev, based on the everlasting dzherel of beautiful and harmonious. The price of natchnenya is based on the lyrical creativity of Ivan Oleksiyovych, so that one can see the borderline precision of words and sharp prosaic details.

Philosophical lyric Bunina grounded on Russian nature, on those love, intertwined in unique contrast. Formerly, he sings often having risen in price in his fortunes, and tsі thoughts pushed him to the stem of new vitvorіv, tied with mythology.

Tsi create to convey a wider understanding of the earthly butt, as part of the history of the earth. The scribe boldly stumbled upon the fatal result of human life, feeling self-conscious and familiar. The deyaky poetic creations of Ivan Oleksiyovych zmushuyuet thinking about those who were in charge of the job, but it was not mentioned.

A miraculous author, always seeing his own individuality, a unique philosophical glance at the evil appearances, the wide and honest insights of the powerful ideas and thoughts, twisting in so beautiful and sounded forms.

"Dog"
Mriy, mriy. All the same and dark
Ti marvel at the golden ochima
On the hurtovinniy yard, on the snig, it stuck to the ramie,
On mіtli gochnykh, dimnih poplar.
Zithayuchi, it burst into warmth
Bilya nig moykh - I think ... Mi sami
Sweet to myself - by the tight fields of the fields,
Іnshikh kestrel ... beyond the Perm mountains.
Ty zgaduєsh those who are stranger than me:
Sive sky, tundri, ice and chumi
Your student's wild side.
Ale, I am hungry for your thoughts:
I am lyudina: yak god, I am acclaim
Know the tightness of all lands and all hours.

Artistic freedom of lyricism Bunin

Bunin's lyrical poetry was inspired by artistic freedom, a master of spirits of nature, people and all the world. Winning the landscape, miraculously transferring it in his lyrical creation.

The creative activity of Ivan Oleksiyovich fell into the era of modernism. Most of the authors of the XIX-XX centuries have become magical with the words of their thoughts and almost in unprecedented forms, appearing in fashionable word-creation. Bunin did not poke a straight line, he guessed the books of the Russian classics, and his poetry was written in the very traditional forms, similar to the lyrical creatures of the average poets, such as Tyutchev, Polon.

Ivan Bunin has step-by-step re-transforming landscape lyricism into philosophy, and in its first steps, see the presence of the head. The poet's poetry often has a special respect for the theme of life and death.

Philosophical straightforwardness and artistic freedom are not overwhelmed by revolutionary processes, which are seen in the land. He sings, continuing his creativity in a straightforward way, and all the problems of people are boldly presented to the eternally subtle, the middle of good, evil, people and death ...

Bunin, who wanted to know the truth, was often killed before the holy history of the generations. He sings by making a life on Earth like a time, the transition period between every day at Vsesvit. You want to look beyond the edge of reality, to find out the answer to human life and the time of death at the end of the day. The bagatokh yogo turns especially to see a frown, a pity for a dick, a fear of self-reliance and an unpretentious overhaul before a tragic result, which cannot be unique to any one living on the whole Earth ...

Lyrica Bunina is a bagatolika and a lack of influence. Yogo poezіya nadihaє and rain, directing the reader's thoughts in unawareness, alope to reach the reality and tsіkave. If you want to create the great Russian writer and poet with respect, you can see the truth for your child even more important than you didn’t want to help others.

With the creativity of Ivan Oleksiyovich Bunin, to know all the children of our land, so as to be included in the general program of education at the stage of literature. It’s possible to take your subtle thoughts and it’s almost possible not all at once, only when you’re lost in the understanding of the skin word, to allow the intelligence and recognition of the basic concept of lyrical creation. The very fact, in addition to the obligatory notification, the reader is allowed to vibrate the number of creatures for his own investigation.

Bunin is a miraculous writer and sings of the XIX-XX centuries, which has overshadowed the memory of the future generation, images in a wonderfully beautiful lyric ...

A. Blok about Bunin: "so the nobility and love nature is not enough for me ..."
"Bunin claims to be one of the main missions in the Russian literature ..."

"Kviten"
Misty sickle, vague reminders,
Lead-dark blisk of a zaliznoy dakhu,
The noise of a little girl, a distant bark of dogs,
The tamnichesky zigzag of the kazhan.

And it's dark in the old palisade,
Fresh and liquorice smells like yalivets,
І sleepily, sleepily light up kryz yalynnik
Serpa zelenuvate beach.

"Birizka"
On a distant pass, on the edge
Empty heavens, є bila birіzka:
Stovbur, in the wake of storms, і flat
Rozkinuty bitches. I'm standing,
Be dear to her, in a chewy bare field.
Vaughn is dead. De tin, layers of salt
Lie frost. Already the sun is low light
Chi is not grin їkh. Already, no leaf is dumb
On tsikh gilkah brown chervonuvati,
Stovbur is bright-white in green empty ...

Ale osen - light. Light in confusion and world,
Light in thoughts about the past, about waste.
On the distant pass, on the border
Empty fields, birch samotnya.
Ale uiy easy. Spring is far away.

"Scarb"
All that zberiga followed long ago,
Long dead, - there will be a life of the capital.
At the grave belongings, ancient zaritih,
Spіvaє opіvnіchny tight.

Stepovy dawn memory, yak lit
Tim, now lie in the gray earth ...
Chi is not Death is terrible, but that is on the grave
Death is guarded by the sp_sonic belongings.

The creativity of I. A. Bunina poeziya loan is a significant place, I want the popularity of win adding prose. Win stverdzhuvav, who sings for everything. Itself from the top of the road in literature.

If Bunin has accepted 17 years, in the magazine "Batkivshchyna" the first versh "Silsky zabrak" was found, in which the young man sings describing the camp of a Russian village:

Sumno bachiti, yak rich country man,

І tight, і consumer in Russia!

From the very ear of creativity she sings her own style, her own people, her original manner. The numerical warriors brought up the camp of the soul of the young Bunin, his inner light, the subtle and richness of the senses. Reasonable, quiet lyrica Bula is similar to rozmova with a close friend, she was less hostile to the participants in high technique and artistry. Critics unanimously flooded with Bunin's unique gift of seeing the word, which is the most important in the field of moving. The impossibly precise instincts and practicalities are drawn from the poetry from the creations of folk creativity - both from us and from letters. K. Paustovsky duzhe zinuvav Bunina, it seems that the skin row of the chitka, the string.

Having repaired Bunin from huge lyricism, writing about the hard life of the people, with all his soul bazed a change for the beautiful. At the virshi "Zapustinnya" there are old booths, who are singing:

I check the cheerful sounds of the sokiri,

I check the destruction of the impudent robot,

I check, my life, let me wind in brute strength,

I know rozkvitla from the dust on the grave.

In 1901, Bunin's collection "Listopad" was poetic. Until now, I have gone and I have been singing under the same name. Sings to say goodbye to the child, the light of the world. The motherland is in the wreaths of the zbirka in the wonderful pictures of nature, that the wicked sea is in awe and emotsiy. The image of autumn is most often seen in Bunin's landscape lyrics. The poet's poetry was resumed from the beginning, and until the end of life, the image of the golden image of the illumined verse was restored. We eat "Leaf fall" autumn "come alive":

The forest smells like oak and pine,

For a little while, a visit was made to a son,

I autumn a quiet widow

Entering the lines of the tower.

A. Blok wrote about Bunin, “so nobility and love nature, there’s not enough for me”, and after giving Bunin, “claiming one of the leading missions in the Russian journey”. The bagate of artistic perception of nature, light and people in new has become a vidminny rice and poetry, and Bunin's prose. Gorky prying Bunin the artist with Levitan behind the majesty at the edge of the landscape.

Bunin is alive and well at the turn of the XIX-XX centuries, since modernist trends were rapidly developing in the journey. Bagato poets were engaged in word-making, joked about non-customary forms for rolling their thoughts and feelings, but for a few years they shook the readers. Bunin, on the other hand, has become faithful to the traditions of Russian classical poetry, which were developed by Fet, Tyutchev, Baratinsky, Polonsky and others. Vin wrote realistic lyrical verses and did not hesitate to experiment in a word. The baggage of the Russian mov and the pod of action in whole from the beginning of the poets.

In virshah Bunin is thinking to know the harmony of light, the sensation of people. Winning the vitality and wisdom of nature, and beginning it never dreamed of beauty. The life of the people in Bunin is inscribed in the context of nature. Win boon of enthusiasm in the intelligence of all living things and stverdzhuvav, "Well, there is no environment in our nature, but the skin is the best ruff of our life."

Landscape lyricism of the old philosophical age. For the author, the head has a dummy. Those lives and deaths were awarded to the poet's lifeless verses:

Pass my spring, and pass the day,

Ale have fun wandering and nobility, so everything goes through,

In that hour, yak, happiness, life will not die,

Leave the dawn above the earth dawn vivodit

And the youngest life will be born at the proper hour.

Most importantly, if in the land the revolutionary processes were already awakened, the stench did not know the image of Bunin's verses. Win prodovzhuvv a philosophical theme. It’s not important for the nobility, but for whom those who are in charge of the people. He sings in response to problems and concerns with the particular categories - good, evil, life and death. We hope to know the truth, it’s the fault of our creativity to grow up to the history of the new lands and peoples. This is how the verses about Mohammed, Buddha, and ancient gods come to light. The vershi "Savaot" vin write:

Old words sounded dead.

Spring vidblisk buv on slime slabs -

І wicked siva head

Tekla mіzh zіrok, mists povitі.

Sings at least in the intelligence of the zalnye laws of the development of the suspension and the surrounding people. Winning the earthly life is deprived of the common life of Vsesvita. You can see the motives of self-reliance, share. Bunin felt the catastrophe of the revolution and took off as the worst. He sings to look beyond the edge of reality, to solve the riddle of death, to frown as if to see in bagatokh virshah. Feel the pride of a viklikayut at the new ruin of the noble way of life, teaching and ruining of the priestly sadibs. Unimportant for pesimism, Bunin bachiv vikhid in the zlitty people with the wise mother nature, in the calm and everlasting beauty.

stand additional

POEZII Bunina

I.A. Bunin did not adhere to one of the literary groups. The journey of the "middle capital" is especially worth it. Winning even more skeptically before the literary Vishukuvan and novelty, vazhayuyu, but the formalistic vitality of symbolism, acmeism and futurists is not enough to relate to the journey. At the same time, it’s about those who in the creativity of the poets of the 19th century - the ear of the 20th century “became aware of the newest figures of the Russian literature: glibina, conscientiousness, simplicity, gentleness, straightforwardness”. Throughout the world, five of the main warehouses and reference journeys are carried out to the creativity of Bunin himself. It is necessary to complete the laconicism and self-confidence of your journey. The Bunina didn’t tackle modernist trends much, they lost their way to the sides of the fashion decadent magazines, they started to see the distant glimpses of vishukan elegance, chimerism and extreme. Vin - the vernacular okhoronets of the Pushkin tradition . MAIN TOPICS OF THE LYRICS of I. A. Bunin

Landscape lyrica

Typical for the journey I. Bunina on the frontiers of the capital and re-fermenting on all creativity of I. Bunina. True to the traditions of the realistic landscape of the 19th century, I. Bunin at the same time fosters self-sufficiency and independence of nature among people. Like bi did not change the geography of the Bunin verges: from the steppe rose and the wilderness of the early days to the Asian, nearby, Pacific, Pacific landscapes of 1903-1916 rocky, - the middle of the wilderness is people who are experiencing themselves. Describe the nature of I. Bunin vvazhak for more beautiful in the "prikordonna" hour dobi - evening, foggy wound. Most of the Bunin's views on the journey of symbols are seen in landscape lyricism. There, de symbolic bachiv in nature, the "signs" are, in reality, Bunin pragnuving observationally to create the beloved action. Zvidsi - malovnicha accuracy and vitality of the Bunin zamalovki. The very landscape lyrica I. Bunina is a large world characterized by bright and abundant color effects, as well as by its very sly sound effects. Most often he is the author of the Vikorist image of the sky, steppe, starry. Zirki in lyricia I. Bunina is a tse persh for all the tamnichi heavenly letters, which mark the earthly valleys. Not the mensch often sings to turn to the images of the twins.

The theme of Russia.

Yaskravo is swept by the stretching effort of creativity. Nostalgia and philosophy of Bunin was found in the same theme. It’s wise to read the answers to the laws of the nation, like, on your mind, forever. Legends, retellings, parables - folk wisdom grows in verses. "Batkivshchyna" - virsh, which represents one of the main topics of Bunin's trip - the theme of Russia. Vono, unaffected by those who have written them randomly, the young sings (21 ric), is superbly characteristic of all fake lyric poetry. Three criticisms about Batkivshchyna - "tired, fearful and sumptuous" - are the characteristics of Russia in the bagatokh yogo verses. The image of Batkivshchyna, navpaki, sings not ideally, it is obvious to bump all the problems and emphasize respect for them in my lyrical works. And in the surroundings of the war, it is good to talk about the native land - evil, hungry, ale loved. The criticism of the metaphor "Batkivshchyna-mother" is a delirium on the road, an old woman, mother, who is still morally ailing child is one of the most sensitive and penetrating images. He sings having tied together the image of nature and the fatherland. For new, the nature of Russia is the center of the steppe of the Oryol region;

philosophical lyrica

Failure to the philosophical lyricism is seen in the first Russian revolution (1906-1911). The poet's lyric poetry motifs the overwhelming nature of life over huge lives. In his verses, Bunin is a great life. Love for the new is holy for the soul, for the soul. Life for Bunin is more expensive in spogadakh. The earthly life, the sensation of nature and the people, are sung like a chastina of a dei, so that they can grow up in the vastness of Vsesvit. Vichne (tse nature and beauty) in the images of the Bunin is more precious than the tim-hour one, it is woven from the threads of the tim-hour one. Bunin spivau is not the sky, but always the earth's pragmatic to the sky. Vichnist, one harmony, beauty, God - invincible values for Bunin. Feeling the world helped him get angry in harmony with the world about life and interest to the hour, pragmatic to the sky and love to the earth. The atmosphere of the philosophical verses of Bunin is special - the atmosphere of silence. Noise, flickering from the head - from the spiritual life. The lyrical hero Bunin is very concerned about his self-identity; in verses, the lyrical hero will be able to comprehend the versatility of human life for an hour. One of the straight lines of philosophical lyricism І. Bunina became virshi, dedicated to God. God has revealed the yak of Love - warmth, freshness, light. The atmosphere of silence is the power of a sense of God. In the midst of the dark, one nose of light is divine. The train is characterized by biblical motives. Victory motives: death, sorrow, self-reliance, silence, hardness to the path to truth, bible motives and in.; not so badly victorious against the pathos of invective.

The line of the poet and poetry

Yak і be-like sings, І. Bunin namagavsya comprehension of the recognition of himself, the role of the creator, the essence of poetry. Let's program for a new one on the tsyu theme є lyrical tvir "Poetov" - the code of his poetical honor. The author does not oppose the poet of NATO, he calls not to spend the gift of words, and the gift for Bunin is a diamond given to people by God. Bunina's muse is nature. To that, I write more about her, and the theme of the poet and poetry did not deny wide involvement in Bunin's lyrical works.

lyubovna lyrica

The topic of kohannya in lyrici mensh is remembered. They have a unique author of deliberately garnished phrases: I’ve gotten away with it at an early hour.Vona was asleep, - the month was syayatIn її вікно, - і kovdriWith descents atlas ... Intimna lyrica I. Bunina is a tragedy, in which there is a protest against the incompleteness of the light. I know in love lyricism there is a motive of self-reliance, so power for all poet Bunina. The concept of Bunin's love to engage in yogo verses. The lyrical hero is dispersed with his kohan, seeing tragically feeling and continuing to love. The topic of kokhannya in Bunin's poetry did not neglect enough widespread involvement, and the author continued it in prose.

The specifics of the poetry of VIRSHIV A.I.BUNINA

The poetics of the mature Bunin-poet is a late and easy struggle with symbolism. The handwriting of Bunin the poet is karbovaniy, clear, the little ones are stile and zooseredzhenii, the manner is streamen, mayzhe is cold. Yogo by those, I mean, help rimuvannya amid the reception of the richest renewal, embraced by the symbolists. "On the tlі of Russian modernism, Bunin's poetry is seen as well old", - wrote Y. Eichenwald. In the Bunin's verses, the beauty and spoky are spoken, the attitude of the Bunin to the classical poetry. The early lyric was of a national nature. Bunin, yak і Pushkin, back at the life of the development tendencies, how to enter into the fight, and start to crack and wipe. Yak і Pushkin, win emotionally to get closer to nature, vvazhaє, how to help travel in simplicity, naturalness of real sentiments, appearances, attitudes. Yak і Tyutcheva, Bunina grabbed nature in its catastrophic camps, in the struggle of elemental, light and dark forces. In Fet's Bunin, having changed the directness to images of imperceptible, tame and not at all clear visions, he is navigated by nature, looking at the beautiful. One of the main stylistic tendencies of Bunin's creativity: the stringing of words, the synonyms of synonyms, synonyms for the more physiological zeal of the reader (the decision on the corny of the reader to naturalism). Yogo virshi is quickly rimmed, prose is organized by the singing rank, lower virshi in the classic viglyadi. Characteristics of the poetical details І. Bunina: read the zorov, visibility, the picture is vivid. Bunin's train is generally strict and efficiently streamed. They have a lyrical hero, a lyrical "I". In Zagal, poet Bunin the poet is characterized by:

Preserving the traditions of the 19th century Maystras, clarity and "availability" for the selection of ideologies, simplicity and naturalness of the poetic language:

sound recording (kolorova) oxymoron "three adherents" - when choosing three last advices, to characterize the image of metaphorical metaphor, high vocabulary of biblical quotations (for philosophy)

existential motivesANALIZ VIRSHI I. A. Bunin "PIVEN ON the church chrest"

Pivn at the church chrest. Plyve, flow, run round, І yak high above the earth! Backwards, even a small sky, And vin ahead - and everything sings. Sings about those who are alive, How are we dead, how day after day they go to fate, flow the capital - Axis yak rychka, like clouds. Sings about those who are all deceit, it’s deprived of my share of tribute to the home, і miles friend, і number of children, і onukіv number, wіchіnіtіlki tіlki of the dead a dream, that god's temple, that chrest, that wіn.

The central image of the verse is piven- іsnu at once in different meaningful realities: concrete, religious, symbolic, literary. Piven is an architectural detail of the Catholic Church. Concrete light of meanings in the name of the top. The Song of Pivnya is the translation into a philosophical thought, close to its spoky-sumno-summoning to the elegy. The abstract meaning of the central image is actualized. In the Christian tradition, pive is a symbol of light and renewal, a symbol of the struggle against spiritual ignorance. Semantics to the image of zblizhu pivnya with such symbols of Christianity, yak chrestі Temple. Virsh I.A. Bunin was taken over by the sum and brought hopelessness. For a lyrical hero, it is not only a little, but his soul does not know resurrection: It's a dream of the dead ...

Row, to survive the death, її to overcome the people, - the meaning of the last row, how it is possible to charcoal Christian symbolism of life. The central image of the name is given only in the title: півень. Dal tse word to omit or replace the hare vin... Stanzas are repaired from incomprehensible phrases, so that we need to pour out a lot and create mystery. For IABunin, piven in versh is a symbol of the hour. The theme of the power of the hour is the main one for the creation. The whole composition is ordered, as it falls into 2 blocks: a description of a pivny and a pisnya pivnya. The song is stored in three minutes.

"Hour" (rows 5-8) "mittuve" (rows 9-12) "vichne" (rows 13-14). Compositional antithesis "mittuve - vichne" back - forward, alive - dying, stolittya - mity. Spіvvіdnoshennya mіzh parts: 1 - home, and 2 і 3 - private; those of the other and third parts are related as opposed (lyudin is mortal - an hour forever). In the first half (the first five rows) an hour - without interruption, change. Rukh is a day for an hour. This phenomenon is common for overwhelming vicarious days (10 out of the number - 11). The other half of the song is static; here is a great part of all the men. The first plan is the theme of non-shattering and greatness of the hour. Vichnist is an ear and a chin at once. The idea is given to rotate in the architecture of the creation: it is motivated on the basis of the ring composition "Pivn on the church chrest" - "That temple of God, that chrest, that vin" The top of the spellings in the form of the so-called "Shakespeare" sonnet: three quatrains and two verses. Chotiristopny iambic and paired cholovichi rimi set the borderline simple rhythm and musicality of the verse. Internal rome ( plive - teche - yde - neboshil - forward - spіvaє) Also part of the music scene. Naybilsh virazni repeat voices: 26 percussion [o] and 8 [a]. Harmony form yak bi zgladzhu rubbing zmistu. The wide distribution of one-sided members of the list - the particularity of the response is important. Not the same propositions are also structured to the composition, to give poetic movement and liveliness, naturalness and inviolability.

Bibliography:

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"Leaf fall", "Dogoriv kvitnevy light evening ...", "In the steppe", "Zhovtnevy svitanok" "No birds in sight. Ganebno withers ... "," Graves, vintryaki, roads and mounds ... "" Pleiadi "," Nich "," Sirius " " Christ is risen! I know about the dawn ... "," For all you, Lord, dyakuyu! "" Valley of Yosaphat "," Urusalim "," On the way to Hebron "," Tomb of Rakhilia "

If Bunin has accepted 17 years, in the magazine "Batkivshchyna" the first versh "Silsky zabrak" was found, in which the young man sings describing the camp of a Russian village:

Sumno bachiti, yak rich countrymen, І tight, і consumer in Russia!

I check the cheerful sounds of the sokiri, I check the destruction of the impudent robot, The mighty hands and the bold voices! I check, my life, let me wind in brute strength, I know the rocket from the dust on the grave.

The forest smells like oak and pine, For a little while, the wind is seen from the sun, and the quiet widow I entered into the line of the tower.

Landscape lyricism of the old philosophical age. For the author, the head has a dummy. Those lives and deaths were awarded to the poet's lifeless verses: Material from the site

Pass my spring, and the whole day pass, Ala cheerfully wandering and the nobility, so everything will pass, At that hour, like happiness, life will never die, Docks over the earth, dawn dawn, and the youngest life will be born in the first hour.

Most importantly, if in the land the revolutionary processes were already awakened, the stench did not know the image of Bunin's verses. Win prodovzhuvv a philosophical theme. Youmu are more important than the nobility scho, a what that chi іnshu see with people. He sings in response to problems and concerns with the particular categories - good, evil, life and death. We hope to know the truth, it’s the fault of our creativity to grow up to the history of the new lands and peoples. This is how the verses about Mohammed, Buddha, and ancient gods come to light. The vershi "Savaot" vin write:

Old words sounded dead. Spring vidblisk buv on slime slabs - І dreadful siva head Tekla mіzh zіrok, mists poviti.

"I am whispering in the whole world of sachetan'ya

Wonderful and eternal. in the distance

I bachu nich: pisky in the middle of silence

I zoryane light over the darkness of the earth. "

Ivan Oleksiyovich Bunin is a distinguished Russian writer, who became famous as a writer-prose writer. Having started his literary life, Ivan Oleksiyovych went to travel and led to a wonderful galaxy of poets of the "capital city".

No birds are visible. peacefully

Lis, sporozhny and ailments.

Gribi ziyshli, ale mitsno smells

In the yards there is a mushroom ...

I, zakolisanii croc kinnym, -

Feel me with your wallet,

Yak vіter dzvonim monophonic

Gude-spivak in stovburi rushnitsi.

The first virsh of Bunina was overruled, since it was only seventeen years old, the first came through the first years, but the popularity came to a new one after ten years, after the first year of the Academy of Sciences "Leaf Falls" in 1909

That little star you shake in the dark water

From a crooked willow in a deafened garden, -

Vognik, until the turn of the day, turn to the rate,

I do not know nikoli in heaven now.

At that village, de yshli young rocky,

At the old houses, de I have first stored.

I’m happy and joyful in my youth,

I will not turn now nikoli, nikoli.

Bunina's train is even more cool, stylistically streamed, karbuvati, harmonic. Sings someone else's new jokes. Yogo poez_ya is tradition, he is the patron of the Russian classics. Bunin is a subtle lyric, a wonderful sign of the Russian language. Yogo vіrshі sauerіdnі. The price is quickly rimmed, prose is organized by the singing rank, but not verse in the classic viglyad. Along with its novelty and freshness, I can smell the stink of readers.

І apartment, і jmeli, і grass, і ear,

І blink, і midday bake ...

Termin nastane - the Lord of the sin of the prodigal foodє:

"Chi buv happy ty in earthly life?"

I will forget everything - I will guess only from tsi

Polovі way between classes and herbs -

I can't think of any liquorice,

He fell to the merciful colin.

Bunin sharply negatively placed himself on symbolism, all of his poetry, in essence, was fighting for the first time with symbolism. Moreover, the poet was not a bunker, but he was alone in the fight. Winnuv virvati from his creativity everything that could be spiel with the flow of art. Bunin especially saw the "untruth" of symbolism. For symbolism, the action of the boole with a crimp, a mask, as a prikhovu іnshu, a greater sense of reality, the wisdom of what is seen as a way of redefining the action of a creative act. The landscape is a touchstone at the image of the action. Itself here Bunin is especially napolyag against symbolism. For them, nature is a Syrian material, like a stench giving rise to overwork. Bunin, on the other hand, wants to be spostering a thorough work.

Nich zblіdla, i mіsyats sіdaє

For a small worm we call a sickle.

Sleepy fog on bows to compare,

Chorniy will outline what he wants and dim,

Viter to make a noise in outline.

Silence in the village. At the chapel there is a lamp

Merkne, a hundred grief.

At the tremulous days of the frozen garden

Lell to the steppe with the coolness

The dawn is quite tired.

The Bunin landscape is truthful, subtle and beautiful, like a symbolist and never dreamed of. In the verses of Ivan Oleksiyovych, there is no special character of the author. In my own travels, I win the head of the warehouse lyricism - "I". This is the main reason why Bunina drove in cold weather. It’s not coldness, but sooner naughtiness.

Before entering nabiglo

Over the fox of the Khmara - and the rapt

Veselka fell on Uzgir'i

I stuck up everything about.

Sklyaniy, born and strong,

With a cheerful rustle, sleep in,

Having rushed the boards, і lіs greenery

Calmed down, chill out.

Bunin, having become faithful to his antisimvolism, didn’t think it was wrong to believe that the form is good to serve not only in the style of a thought, but to catch the thought itself.

The form of Bunin’s verses, ostentatiously, impulsive, can not be ignored, but sings with a sense of amusement of all the possibilities. Having knitted his form, he partially knitted it for himself.

Bagryana sumna month

Hang in the distance, the ale step is dark,

Misyats at temryavu svii teplii vidblisk sin,

І over the swamp there is a dark haze to major.

It’s great - I’m quiet!

I'll be built, the month will be numb:

Vona nibi virosla from the bottom

І antediluvian rose red.